Photo: First exhibition organized by the Seminary of Mexican Culture and installed in the Palacio de Bellas Artes, inaugurated on 20 November 1942. Frida Kahlo and appreciate the architect José Luis Cuevas (highest) among officials INBA. (Photograph unknown)
Frida Kahlo painted „The wounded table“ (La Mesa Herida - Der verwundete Tisch)
between end 1939 and January 1940. As in December 1939 the divorce from Diego Rivera became official, she reproduced her emotional pain in this painting.
This painting was created for the International Surrealist Exhibition in the Galería de Arte Mexicano in Mexico City in January 1940.
„The wounded table“ was subsequently shown in exhibitions in USA and Europe. It disappeared in 1955 on its way to an exhibition in Moscow.
In the painting Frida is surrounded by objects which represent one aspect of her emotional situation. She looks directly at the viewer, she wears her Tehuana clothes and jewelry. Her hair are open on one side.
A deep wound, no longer bleeding, can be seen on her neck.
Frida gives to the Nayarit figure on her left side, a cup containing her last drops of blood so the Nayarit can drink it.
Painting: The wounded Table, (La Mesa Herida),1940, Oil on Canvas 122 x 244 cm, Location unknown.
Licensed replica © Banco de México Diego Rivera & Frida Kahlo Museums Trust / VG Bild-Kunst, Bonn 2008,
Frida Kahlo: a secret revealed. Look for more about this painting:
…. and also here:
One of over 200 photos of the collection.
"Nada vale mas que la risa." Frida Kahlo
"Nothing is worth more than laughter.
It is strength to laugh and to abandon oneself, to be light. Tragedy is the most ridiculous thing.” Frida Kahlo
Frida Kahlo painted " A few small Nips" in 1935 to illustrate her feelings towards her husband affair with her sister Cristina.
The painting in essence illustrates how easily and lightly Diego mortally hurt her. In the painting the injuries are physically deadly, in Frida's case the mortal pain is emotional (“I have been murdered by life” wrote Frida in one of her letters.)
The painting also shows how this deadly pain inflicted is considered, by the perpetrator (i.e. Diego) irrelevant, not important, just “a few small nips”.
We know that Frida Kahlo often worked on her paintings over the years, adding items and always strengthening her statement. “A Few Small Nips” is an example of this development which we can follow from the photos taken between 1935 and 1948 since she kept this painting in her Blue House.
Painting: Frida Kahlo, A few small Nips, 1935; Licensed replica: ©Banco de Mexico Diego Rivera & Frida Kahlo Museums Trust/VG Bild-Kunst, Bonn 2008.
Originally the painting had a normal wooden frame in brown colour and few blood spots; over time she added a small bamboo bird cage on the top left, to match exactly the white dove, which now is inside the cage. As we see from the photo and the reconstruction we made of the cage in the painting, the door of the cage is slightly open but not enough to allow the dove to fly away and be free.
This imagery of being prisoner of her love for Diego can be also found in the Painting Nr. 87: “Diego in my thoughts”.
She also planted a knife on the frame of the painting, a reminder of how much Diego hurt her.
Over the years she kept adding blood on the painting, she painted the frame in red-blood, and added blood-coloured spots on the frame as well.
She also stabbed and damaged the frame with the knife; every knife mark was a reminder of the pain Diego inflicted her with his “irrelevant” affairs.
The painting “A few small Nips” must be shown in its completeness, as Frida had it in display in her studio: with the cage and the knife, to be able to understand the full meaning Frida gave this painting.
On October 13 1925 (4 weeks after Frida's accident), she wrote a letter to Alejandro Gomez Arias:"... When you come, please bring some chocolate and a Balero, the same we had on the day (of the accident) which I lost on the bus .Your friend, who is looking like a line on the landscape. Friducha
"Because of the tiny little umbrella I was very sad. Life begins tomorrow... "
Many years later, Frida talked about her accident:
"I remember it was the 17th September 1925 ... Shortly after we (Frida and Alejandro) had entered the bus, the collision happened.
First we were in another bus, but I had lost a little umbrella, and we got out to look for it, that´s why we got on that bus, which mutilated me.
The accident happened ... My first thought was for a pretty colorful Balero, which I had bought that day. I wanted to look for it in the belief that all of this would not have any consequences. "
Source: Frida Kahlo, "Now that you're leaving me, I love you more than ever,"
2007 SchirmerGraf, Munich.
For further infos about the Balero game: http://en.wikipedia.org/wiki/Cup-and-ball
#70: Frida Kahlo, Votive painting, after 1926; Licensed replica © Banco de México Diego Rivera & Frida Kahlo Museums Trust / VG Bild-Kunst, Bonn 2008.
Today we want to tell you about the location of the Frida Kahlo exhibition. We are in the Barracks 3 of the San Diego's Naval Training Center (NTC) in Liberty Station.
The construction of the Barracks started in 1921 and the first recruits arrived in 1923, and there they learnt the skills of seamanship.
During the WWII (1941-1945) the Naval Training Station continued to grow to accommodate the need for sailors. During the peak of the war the population reached 33,000, the most that the station would ever see.
After training hundreds of thousands of recruits, NTC was officially closed in 1997, and has since been transformed into San Diego's new cultural center, Liberty Station.
Barracks 3, where the Frida Kahlo exhibition is shown was built in 1923, when the Navy left the property, Barracks 3 was renovated by the NTC Foundation as part of the Civic, Arts and Culture District in 2012. The Complete Frida Kahlo is the first new user of the building since its renovation.
Here in the photos you see an historical photo of the inspection of the troups, Barracks 3 is the first building on the right. The second photo shows the original renovated rooms of Barrack 3, when our team visited it in September. The third photo shows the works in progress to build the walls recontructing the Blue House of Frida. The fourth photo shows a view of the Frida Kahlo exhibition in San Diego.
Author: Dr. Mariella Remund
Jennifer A. Garey, President of Arts & Antiquities, Inc.