ALL 123 FRIDA KAHLO PAINTINGS IN THE COLLECTION AND ON THIS WEB-SITE ARE LICENSED REPLICAS: BY © BANCO DE MÉXICO DIEGO RIVERA & FRIDA KAHLO MUSEUMS TRUST / VG BILD-KUNST, BONN 2008.
These and 200 more photos are part of our exhibition. We are happy to share them with our Kunstmuseum Gehrke-Remund visitors, all the Frida Kahlo fans, with our friends and with you.
“My Bartolí…I don’t know how to write love letters. But I wanted to tell you that my whole being opened for you. Since I fell in love with you everything is transformed and is full of beauty…. love is like an aroma, like a current, like rain. You know, my sky, you rain on me and I, like the earth, receive you.
Mara” — Frida Kahlo, October 1946
Read more at http://observer.com/2015/04/passion-penned-frida-kahlos-intimate-love-letters-of-an-illicit-affair-up-for-sale/#ixzz3YG4hFCq7
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Josep Bartolí, the last love of Frida Kahlo. In 1946 Frida Kahlo wrote a letter to her friend Ella Wolfe, in which she asked, "not to talk to anyone about this topic".
This referred to her last great love, Josep Bartolíi (1910 - 1995), a Catalan painter. Frida Kahlo wrote about Josep Bartolí:
"He's the only reason that gives me the desire to live."
From 1946 to 1952 an intense love relationship grew between Frida Kahlo and Josep Bartolí, this love was known only to a few friends and accomplices.
Painting: Self portrait miniature, 1946, Oval Miniature on wood, 4,1 x 3,8 cm, Original: Private Collection, New York, USA; Licensed replica: ©Banco de Mexico Diego Rivera & Frida Kahlo Museums Trust/VG Bild-Kunst, Bonn 2008
Photo: Josep Bartolí. Un creador a l'exili - DVD original que realiza la función de catálogo; Caricaturista político, dibujante, ilustrador, pintor, escritor…; DVD original que realiza la función de catálogo de una exposición propiciada por el Ayuntamiento de Barcelona durante los meses de diciembre de 2003 y enero de 2004. Producido por MetrònomLab
Josep Bartolí was a quiet man who kept the secret known only to few of his friends while Frida wrote to her friend Ella Wolfe in New York:
"No one here knows anything, only Cristi (Cristina, Frida´s sister), Enrique (Frida driver), you and I know the person who is at stake."
To further hide their relationship, she wrote to Ella:
"If you want to ask about him in your letters, ask for the name Sonja.''
At the end of the letter, Frida wrote:
"Don't forget to destroy this letter in order to avoid future misunderstandings. Will you promise that? ".
"Frida is the love of my life." Josep said of Frida; she is very sweet, loving, romantic. She is very intelligent and a great artist.
" You may say that I really love him " Frida wrote in her letter to Ella. Josep Bartolí kept all 40 letters of Frida throughout his life, one was able to recognize the letters of Frida by their perfume, and Josep Bartolí could repeat every word, every line of the letters by heart, as they were imprinted in his memory.
As Josep Bartolí died in 1995, his family found a chest with his memories of Frida: her hair ribbons, scarves, letters, sketches and a small medallion that Frida had painted and given to him.
On the back of the miniature Frida Kahlo wrote in red: CON AMOR PARA BARTOLI - MARA "For Bartoli, with love. Mara ". Mara was the secrete name Frida signed her love letters to Bartoli. Mara as "Maravilla" (Wonderful in Spanish).
When Frida Kahlo died in 1954, Diego Rivera (her husband) established that the room with her wardrobe should remain locked for 50 years.
In April 2004 this room was opened and many pieces of her wardrobe were found, this allowed the Frida Kahlo Museum in Mexico to recreate and partly to repair Frida Kahlo dresses and underwear.
The opening of the room and the process of identifying her clothes was described in a book: “Self Portrait in a Velvet Dress. The Fashion of Frida Kahlo”. 2008.
The famous blouses of Frida are called “Huipile” (= blouse). The Huipile is a garment worn by the Maya women in southern Mexico, Guatemala, El Salvador and Western Honduras. Today it is still worn in the area of the isthmus of Tehuantapec, Southern Mexico
The Isthmus of Tehuantepec provides the shortest route over land between the Gulf of Mexico and the Pacific Ocean.
Before the construction of the Panama Canal this was the main traffic artery, and it was known as the Tehuantepec route. Geographically, the isthmus separates North - from Central America.
The Huipile is a garment with great personal and communication power. The pattern of the Huipile reveals the location, the social and family status, the religious background of the woman who wears it. It also makes statements about faith and prosperity. The Huipile is a testimony of the highest Mayan weaving art.
Huipiles are usually made of two or three layers of fabric connected with decorative embroidery. They are then folded and sewn together, with an opening left in the middle for the head. Each Huipile (blouse) and Falta (skirt) is unique. Flower motifs are embroidered by hand. The geometric patterns are hand-woven.
If a woman is lucky, she owns one or two Huipiles to wear daily. Often she owns another Huipile for special occasions such as weddings, festivals and religious ceremonies.
A woman has only a very limited number of Huipiles throughout her life. A well woven Huipile can be worn for 20 to 30 years. Then, when the Huipile can no longer be worn, it is divided into small pieces of cloth and used as a carpet or sown into a quilt.
The Maya art of weaving went almost lost in recent years. Today, however, weaving cooperatives have been founded to revive the Mayan art again. Moreover studies are conducted to preserve the knowledge of the old methods of weaving and colouring the textiles. The use of specific patterns is sacred, as they are related to the "holy dreams of the girls”. For the Mayas, dreams were of great importance, they believed that dreams conveyed messages from the spiritual world.
The Huipiles (blouses) in the exhibition of the Kunstmuseum Gehrke-Remund are original from Mexico. They are exactly in the style as Frida Kahlo used to wear and to paint.
The black and gold Huipile in the exhibition is original from Oaxaca, a rare piece from the period 1920-1930.
Source: from the lecture: "The Dresses of Frida: Meaning, History and Secrets."
Dr. M.C. Remund, Kunstmuseum Gehrke-Remund, Baden-Baden, 2009.